By Mike DresselSpread out over two full gallery floors like synthetic blossoms, the exhibit was comprised of over eighty creations built for performance; the costumes displays queered the notion of what theatrical design can be, blending found materials and foundational concepts with a spirit of radical reinvention. The post Review of Machine Dazzle’s solo exhibit, Queer Maximalism appeared first on The Gay & Lesbian Review.
The post Review of Machine Dazzle’s solo exhibit, Queer Maximalism appeared first on Gay LGBTQ Media and Press Network.